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Where is Amy?


New Orleans Opera
Schnyder's "Charlie Parker's Yardbird"
Baroness Nica de Koenigswarter

April 3, 4, 5, 2020

Jazz Market

New Orleans, LA

The American Cathedral in Paris
Les Arts George V
Solo Recital
Souvenance: Mélodies of César Franck

February 2, 2020
Paris, France

Vratsa Symphony, Soprano Soloist
American program, including Samuel Barber's "Knoxville Summer of 1915" 
Hristo Pavlov, Conductor

September 12-13, 2019
Vratsa, Bulgaria

Sofia, Bulgaria - Jewish Cultural Center
Absolutely American, Solo Recital

September 2019
Sofia, Bulgaria

Art Stars International Vocal Competition

Invited International Jury Member 

September 8-9, 2019

The National Radio

Varna, Bulgaria

Bastille Day Mass

July 14, 2019
Our Lady of Good Counsel
New Orleans, LA

Beethoven's Ninth Symphony "Ode to Joy," Soprano Soloist

Saturday, June 22, 2019, 8PM

Orchestra Hall, Symphony Center

Chicago, Illinois

National Anthem Soloist

Louisiana House of Representatives


Louisiana Senate

Closing Day of 2019 Louisiana Legislative Session

June 6, 2019
Baton Rouge, LA

Tulane Summer Musical Theatre Intensive
Artist Faculty

June 5, 2019
New Orleans, LA

Beethoven's Ninth Symphony "Ode to Joy," Soprano Soloist

June 2, 2019, 3PM
St. John Brebeuf Church
Niles, Illinois

CS Music Conference and College Expo
Master Class and Contest Adjudication

May 2019
Chicago, IL

Director, Tulane Opera
Humperdinck’s "Hansel and Gretel"

April 12 and April 14, 2019

Dixon Hall, Tulane University

New Orleans, LA

International Music by Women Conference

Invited Presentation, "The Lost Romantic: Metastasio Songs of Louise Reichardt"

January 2019

Mississippi University for Women

Columbus, MS

Mississippi Opera
Menotti's "Amahl and the Night Visitors"
as Mother

December 2018
Jackson, MS

Souvenance: Mélodies of César Franck

Faculty/Guest Artist Recital

Thomas Kientz, piano/organ

Charles Mignot, narrator

November 2018
New Orleans, LA

Donald Wood Vocal Competition
Adjudicator, New Orleans Opera

October 2018
Roussel Hall, Loyola University
New Orleans, LA

Association des Amis de la Cathédrale de Fréjus
Concert with Emmanuel Arakélian
Music of Vierne, Bach, Mendelssohn, Gounod, and Hogan

August 2018
Fréjus, France

New Orleans Chamber Orchestra, Soprano Soloist

Midsummer Introspection

"Ars Moriendi" by Maxim Samarov

June 2019
Marigny Opera House
New Orleans, LA

Director, Tulane Opera
Menotti's "The Old Maid and the Thief"

March 2018
Tulane University
New Orleans, LA

Händel's Messiah, soprano soloist
Mississippi Chorus

December 2017
Jackson, MS

New Orleans Opera
Offenbach's "Orpheus in the Underworld"

November 2017
Mahalia Jackson Auditorium
New Orleans, LA

Sofia, Bulgaria - Jewish Cultural Center
The American 20th Century, Solo Recital

September 2018
Sofia, Bulgaria

Art Stars International Vocal Competition
Invited International Jury Member

September 2018
The National Radio
Varna, Bulgaria

Cabaret Soirée
Mississippi Opera
Cabaret at Duling Hall
Solo Cabaret with Dreux Montegut, piano

September 2017
Jackson, MS

Vendredi Soirs

St. Pierre le Jeune

Sacred Music of César Franck

Thomas Kientz, organ

**Immediately following the concert is a lecture in the Cloisters

"Who is César Franck?"

August 2017
Strasbourg, France

Souvenance: Mélodies of César Franck
Thomas Kientz, organ
Les estivales de St. Guillaume

August 2017
Strasbourg, France


Amy Pfrimmer, Soprano

Opera, Concert, Oratorio, Recital and Master Classes

"In a quarter century of accompanying in voice studios and coaching classical singers, I have not performed even one of Franck’s mélodies...Pfrimmer has a rich, full, warm voice capable of both dramatic agitation and tender exhortation. She has a keen sense of text-guided phrasing; while remaining true to the score, she employs a conversational freedom in her rubato...Pfrimmer’s performance as a whole is entirely convincing and demonstrates both tremendous affection and tremendous affinity for Franck’s mélodies."

Fanfare by Myron Silberstein

"Banality banished, Pfrimmer’s resonant and wide-ranging vocal timbre - sometimes bright, at other moments rich and dark depending on the needs of the texts - brings balanced, considerate and empathic intellectual heft to phrases like French poet Marceline Desbordes-Valmore’s“When the evening bells, in their slow flight bring down the hours at the bottom of the valley/If you have no friends or loved ones close to you, think of me!”from Les Cloches du soir (Evening Bells)." by Daniel Kepl

"It is clear in listening to these songs that Reichardt prized such qualities as a lovely vocal quality, pristine legato, and the ability to use the text to launch and sustain the vocal line.  Reichardt certainly possessed an admirable gift for composing melodies that are both lovely and that linger in one’s memory. The settings of Italian texts (here, all by Metastasio) remind me of similar works by Reichardt’s younger contemporary, Vincenzo Bellini.  And if someone told me that Reichardt’s German lieder were previously unknown works by Franz Schubert, I would not be skeptical, at least in terms of the writing for the singer…I’ve listened to the disc several times, and have continued to be engaged by it a great deal.  That is a testament to Reichardt’s music but also, of course, to its champions on this recording.  Soprano Amy Pfrimmer (a member of Tulane University’s faculty) sings Reichardt’s songs with an attractive, rich, and secure tone, sensitive phrasing, and a fine legato...It’s much more of a compliment than a criticism to say that, given the quality of the performances, far more than 44 minutes of music would have been most welcome. But those 44 minutes are of a very high quality, indeed...A worthy project given the benefit first-rate execution, and one that earns a very high recommendation."

Fanfare by Ken Meltzer

"Amy Pfrimmer's singing is supremely warm and refreshing, and the innocent beauty of these songs is brought out in bright, luminous textures. Dreux Montegut plays sympathetically throughout.An invaluable disc, focusing on one of Germany's hidden romantic names so unjustly neglected. A revelatory discovery in clean sound and attractive presentation, albeit short on playing time." by Gerald Fenech